In Nimbarka-sampradae, as well as in the Rudra-sampradae, the young Krishna worship, along with his wife of Radhi. These traditions krishnaizma are the most ancient traditions based on the worship of Krishna-Radhi. According Nimbarke, Radhi is the eternal wife of Vishnu-Krishna. Nimbarka also mention that Radhi was married to her beloved Krishna. Thus, it "saves" Radhi from existing around its figures "halo immorality" or immorality, and gives it special advantages.

   Nimbarka sampradaya-based Nimbarkoy, is one of the four authoritative sampraday vayshnavizma. Scientists attribute the emergence of the tradition to the IX - XIII centuries, but the followers of the tradition believe that sampradaya Nimbarkoy was founded 4500 years ago in the Vedic period. Because of the destruction of Muslims, Mathura and Vrindavan in the XIII - XIV centuries, there are no sources that shed light on the history of tradition, not kept.

   Such scholars as Joseph Satyanand, Prof. Rasik Bihari Joshi, Prof.. M. Agrawal and some others believe that Nimbarka was a contemporary of Shankar, or lived in a somewhat earlier period. Nimbarka was the first Acharya, installed, along with the worship of Krishna, worship Radhi - a method of worship, called sakhi-bhava-upasana. In "Vedanta-kamadhenu-dashashloke", comments Nimbarki on "Vedanta-sutras", says: Shrimati Radhi - is the left part of the body of the Lord Almighty, blessed she sat, like himself a wonderful Lord who serve thousands of gopi: We meditate on that Supreme Goddess, all the wishes.

   In Nimbarka-sampradae, Radhi, and Krishna are of equal importance, but speaking the object of worship. Labor founding traditions Nimbarki "Vedanta-paridzhata-saurabha" is considered one of the earliest commentaries on the "Vedanta-sutras". Later, other Acharya sampradai in the XIII - XIV centuries in Vrindavane of much of the literature on divine chete, or as they called it, Yugala-Kishore. Swami Sri Shribhatta, the senior spiritual brother Dzhayadevy, like it was "Yugala-shataku", intended for performance in musical style dhrupada. Unlike Dzhayadevy, which amounted to "Gita-Govinda" in Sanskrit, "Yugala-shataka" Swami Shribhatty was written in the regional dialect of Hindi vradzha-bhasha distributed in Vradzhe. Others Acharya of this tradition is also written on vradzha-bhashe. Because of the limited prevalence of this dialect, now works of Acharya little studied, although they were written several centuries before the beginning of the period of six Goswami Vrindavan.